Bei Wim Wenders Pina verhält sich das aber ganz anders – selten hat die 3D-Technik im wahrsten Sinne neue Dimensionen eröffnet wie in. Es geht darum, die Sprache des Tanzes zu verstehen, zu erweitern und womöglich sogar neu zu definieren. Dementsprechend definiert sich die künstlerische Konzeption des Werks als Komposition der Bewegung, in deren Rahmen vier Stücke von der während. Pina ist eine Tanzfilm-Dokumentation in 3D von Regisseur Wim Wenders mit dem Ensemble des Tanztheaters Wuppertal Pina Bausch, dessen Choreographin.
Pina (Film)Bei Wim Wenders Pina verhält sich das aber ganz anders – selten hat die 3D-Technik im wahrsten Sinne neue Dimensionen eröffnet wie in. Wim Wenders widmete Pina Bausch seinen abendfüllenden Film Pina, der beim Deutschen Filmpreis und den European Film Awards als bester. PINA ist ein abendfüllender Tanzfilm in 3D mit dem Ensemble des Tanztheater Wuppertal Pina Bausch und der mitreißenden, einzigartigen Kunst seiner großen.
Pina Film Movies / TV Video[OST] Pina - trailer original soundtrack (full length) Der Zweite legt die Arme der Frau um den ersten, doch sie 10.5 Apokalypse. Der nächste Ausschnitt Kontakthof ist ein generationenübergreifendes Stück. Trauer,Leid,Schmerz,Fröhlichkeit,Liebe etc. Wim Wenders. The boundless imagination and physical marvels of the work of the German modern-dance pioneer Pina Bausch leap off the screen in this exuberant tribute by Wim Wenders (Wings of Desire). A long-planned film collaboration between the director and the choreographer was in preproduction when Bausch died in Pina is a German 3D documentary film about the contemporary dance choreographer Pina Bausch. It was directed by Wim Wenders. The film premiered out of competition at the 61st Berlin International Film Festival. During the preparation of the documentary, Pina Bausch died unexpectedly. Pina is a feature-length dance film in 3D with the ensemble of the Tanztheater Wuppertal Pina Bausch, featuring the unique and inspiring art of the great German choreographer, who died in the. Pina is a feature-length dance film in 3D with the ensemble of the Tanztheater Wuppertal Pina Bausch, featuring the unique and inspiring art of the great German choreographer, who died in the summer of A unique and often sublime artistic experience, "Pina" is a 3-D dance film that immerses us in the movement, letting us feel that we could reach out and touch these dancers as they float past us. An official selection of the Berlinale, Telluride, Toronto and New York film festivals, and an Academy Award nominee for Best Documentary, PINA features interviews with and performances by Bausch’s beloved original company members, and offers an indelible image of an artist who went the full distance in her uncommonly rich creative life. 1/18/ · Pina Bausch was a much-loved German choreographer whose work was unlike anybody else's, incorporating earth, water, stones and city streets into music and movement. She was greatly admired by German director Wim Wenders, who delayed the notion of filming her work until the recent developments in 3-D. It is an irony that as he was preparing "Pina," the . Words are the enemy in Wim Wenders’s mysterious, submersive and captivating 3D tribute to German dance pioneer Pina Bausch, who died in just as Wenders, th5/5.
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Pina is a German 3D dance film directed by Wim Wenders. The film is scheduled to premiere out of competition at the 61st Berlin International Film Festival.
Synopsis Wim Wenders has just dedicated a movie to her, called with her name and a phrase that she used to love saying again and again: Pina.
Her Third Jacob the Liar Mama, I'm Alive The Fiancee The Turning Point The Nasty Girl Schtonk! Categories : films 3D films documentary films German films Documentary films about modern dance Films directed by Wim Wenders Films shot in Nordrhein-Westfalen German 3D films Culture in Wuppertal Dance in Germany HanWay Films films European Film Awards winners films German-language films s musical films 3D documentary films.
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Help Learn to edit Community portal Recent changes Upload file. One dances on pointe, with raw veal in her shoes, in front of a factory.
Another performs on the grass verge of a dual carriageway. A finale sees the entire ensemble perform along the ridge of a quarry.
I was a reluctant viewer because it was clear from the beginning that I still didn't 'get' it - what did it all mean? But visually, physically, this film ended up astounding me.
It has stuck with me such that I can't stop thinking about it. As a documentary, it doesn't do much to reveal its subject. It doesn't say much about how this woman thought, how she felt, her journey and what influenced it, what tortured her, what she was in denial about and how she related to the wider society.
These are the revelations I expect in a 'great' documentary film. Films such as 'Man on Wire', 'Grizzly Man' or 'When We Were Kings'. Maybe those things are communicated though the dance itself.
I don't know. Almost the whole film is dancing, interspersed with very short recollections from individual dancers.
What these do get across are that Pina Bausch had a way of communicating with people and a depth of feeling that is unusual and wonderful.
Those who worked with her at least those that were interviewed have the greatest love and admiration for her and what she was able to bring out of them.
I ended up with a great feeling of admiration for her myself. Perhaps that was the point of the documentary. But for me, it was the dancing and the way it was filmed that was astounding.
It comes across with such intensity, such belief and such love, that I almost became a fan of contemporary dance. Bausch and her Tanztheater Wuppertal elevated dance into brilliantly subversive new expressive realms, and in this exhilarating film Wenders captures the raw, heart-stopping intensity of the movement and in stunning 3D transforms it into a transcendent cinematic experience.
Contact Us for screening information or log in to the IFC Extranet for artwork, etc. Stay up to date on pina. How can words describe dance?
All I can tell you is what I saw. There are four dance pieces here, mixed together, none seen straight from start to finish. One of them, titled "Cafe Mueller," I remembered seeing in Pedro Almodovar's "Talk to Her" , in which dancers wander blindly in a room where other dancers rearrange chairs and tables so that in their wanderings they might fall over them.
The parallel with life is there to be seen. Another uses Stravinsky's "The Rite of Spring," which takes place on a stage covered with earth and sand.
Dancers leave traces on this surface as they walk, slide and even crawl on it, and perhaps they represent living things making their way from the soil to the sun.